The universal assumptions regarding the nature of Black worship radically separates experiences between racial-ethnic groups, makes racial groups absolute, and reinforces the dynamic of “Black performers” for non-Black audiences. When church leaders mix notions of black superiority of worship, the need for gospel music to be included in musical liturgy, and the requirement of black authenticity in the performance of gospel music, such music becomes the basis for separation on the basis of race. If only Blacks can truly perform gospel music (e.g., they have soul), incorporating gospel music creates a tension between “black performers” and non-black audiences. All combined, the beliefs surrounding Black gospel music have the potential to creating conditions for separation and difference rather than unity and togetherness. Insisting on gospel music inadvertently exaggerates, rather than ameliorates, one of the fundamental sources of racial divisions in America – beliefs of racial essentialism.
The racial worship divide
April 18, 2012 by Jake Meador